DON’T CRY FOR ME
ARGENTINA
MAY WE CRY AS OUR
ANDRE RIEU
LEAVES US?
He came back, the
charming, handsome, violinist with his large and
talented orchestra from Maastricht,
Holland. Yes, Andre Rieu
made a return engagement to the Nokia Theatre in Grand
Prairie, Texas, in the Dallas/Ft. Worth area.
They came down two aisles this time, to the tune:
Entry of the Gladiators. On my side, I met eyes with
Manoe,
Teun, and Marcel. They
couldn’t interact with us
having to watch the many steps down the aisle.
Looking and sounding like
a full house, the roars of welcome resounded through the
theatre. We had waited a full year for this.
He came, We saw, and He conquered! Andre was
just 15 feet from me, and I think our eyes met
occasionally—at least I want to believe that. He played
waltzes, and we were quiet. When the music changed, we
were noisy, waving flags that Barb Henderson had
made—for our country and for Holland. We
were wearing large pins made by Ruth Morgan bearing
Andre’s picture and the date: April 24, 2006. My
friend at KERA, Patsy Brown, had put Ruth Morgan’s group
together in Section 103, Rows B, C
and D, center stage, so Andre could see we were a fan
group.
Though a little shorter in
length and with no Meet and Greet, we enjoyed every
moment of the concert especially the new pieces. Suzan
Erens, looking beautiful in
a stunning, strapless black gown, raised the rafters
with her rendition of Don’t
cry for me Argentina. We saw the
Platin tenors for the first
time singing alone and with the Golden Sopranos.
The Anvil chorus was sheer fun, while “All Men Shall Be Brothers”
was serious and impressive. There were songs for
America, so we waved our flags again. Sally Chaney had
made large prints that spelled out “Dallas
Loves Andre,”
and we waved those, too.
An unexpected and pleasant
surprise was a chat with Pierre
Rieu who signed my program with his name and two
Xs. He is as personable as his Dad. I had met Pierre last year at the now defunct, Meet and
Greet, but this time it was closer and more personal.
We did not want it to end,
and we listened for “We’ll be back.”
Perhaps Andre just forgot to say it. As we walked out,
I was near the President of KERA who told me they had
better come back. And I
praised her associate Patsy Brown who, I believe,
assigned the seats. Outside the hall were two large
tour buses from distant Texas cities and
one black, block-long limousine which let the
Ferraras’ (Shirley and Sam)
car in which I was riding get into the exiting line.
Who could be hiding in that vehicle?
Will we ever find out?
We had a good look
at the man whom we came to see—our gentleman of
music—Mr. Andre Rieu.
Next year, Andre? Please!

Audrey Clough
I want to add a
special Thank You to Patsy Brown. Her continued hard
work, makes this and other events enjoyable for all KERA
PBS Viewers.
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